Lorna Dee Cervantes: "Beneath the shadow of the freeway". An interpretation of the poem

Lorna Dee Cervantes: Beneath the Shadow of the Freeway The flesh of the meter is not belatedly to determine. It consists of six stanzas of uneven length, which are, except for the first and fifth, once more split up into sub-stanzas. The meter is irregular as rise as the length of the verses and there is withal no create verbally scheme. Cervantes plays very freely with the structure of poems. She does not use an naturalized type of poem and ignores rhyme and meter, but she presents her words graphically in the form of stanzas, in separate but link up sections. The six important parts are numbered. It can be assumed that the placement of the verses was done consciously and that it aims at a certain response on the side of the reader. Each eon a stanza or sub-stanza starts, a kind of pause emerges. This in addition allows the poem to exact spatial and temporal leaps without transitions, but it also increases the difficulties concerning the understanding of the text. In addition to that, many things are solely vaguely hinted or ambiguously presented. The inherent continuity of the poem is achieved by its themes and by its imagery. The first section deals with the shadow of the superhighway, the image that is also in the title of the poem.

It becomes obvious that the talker lives nigh to a motorway; she can watch it pay off across the track from her porch. Every day she notices that the shadow of the freeway lengthens. This is interesting, because freeways usually do not cast shadows, they are flat. This seems to refer that the freeway is real a metaphor, so the speaker lives next to either a rea l or a metaphorical freeway. The family is! introduced in the aid part. It is an all-female family, consisting... If you want to get a climb essay, order it on our website: BestEssayCheap.com

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